Geir Jenssen ‎
Cho Oyu 8201m (Field Recordings From Tibet)

★★★½

An interesting set of field recordings from Biosphere under his real name. Jenssen actually is a quite experienced mountain climber, which makes sense if you listen to his music. He really seems to capture that environment. He does the same thing here, with perhaps a little bit less effort. The sounds of local fauna and peoples make this connect faster than most of Biosphere's other records. However I think it only truly unlocks more of its potential towards the end, with the amazing use of silence and shortwave radio interruptions. I just think it could've been more fleshed out, more ideas could've been expanded upon like they were towards the end. 

Favorite Song: Camp 1 – Himalayan Nightflight

Comments

Post a Comment

Popular posts from this blog

Image
Jo David Meyer Lysne & Mats Eilertsen Kroksjø     ★★★½   Jo David Meyer Lysne and Mats Eilertsen are two Norwegian musicians who have come together once more, on the Hubro music label (also originating from Norway). This encounter seems to place focus on the textural environment and less so on the improvisation techniques of Lysne (on acoustic guitar) and Eilertsen (on bass). The title Kroksjø is the Norwegian word for an oxbow lake, in which a "U" shaped lake is formed after being cut off from a river. Lysne has stated that these geological formations helped inspire this endeavor and that he views them as a symbol of the artistic effort, being impermanent and forever changing. Hypnotic motifs are lost and found on this record, and with the help of a turntable, the comfort of physical home audio is brought forward. Sounds from the natural world and folk musings seep through to the heart of this record, providing points of focus that solidify t...
Read more
Image
Jason Lescalleet The Pilgrim ★ ★ ★★ Everything I've been listening to has been really great recently. This is a very heavy and somber record by Jason Lescalleet. Part of the newer cohort of abstract electronic music, he's known for working with people like Graham Lambkin and Kevin Drumm. This class of individuals have been creating intense and vivid textures in their music with the help of outside sources, mostly field recordings. That concept is also utilized here but not in the usual manner.  Summed up, this album is about the relationship Jason had with his father, and a sort of memorial in remembrance of his passing. It's not easy to create an artistic project like this for anyone, in any medium or platform. Especially not in the niche and sometimes conceptual subgenre that Lescalleet resides in. But he does it beautifully and in great effect. The album starts off with a spoken introduction bye Lescalleet describing how his father felt about his mus...
Read more
Image
Fred Frith Guitar Solos ★★★½ When done right, guitar improvisations can be among my favorite form of music and sound. A key player in that field is Derek Bailey; his music has transformed the way I've understood improvised music especially that of the guitar. Now I haven't gotten around to listening to Fred Frith's music under his own name, but now is the time with his solo debut. I've known about Frith through his work in Art Bears and Zorn's group years later, but I didn't find him very memorable or outstanding. So I went into this album without a clear idea or bias regarding his music, though the album cover really did grab my attention. I heard that Frith was a classically trained violinist before beginning to play the guitar, and I think he brings in some of that 20th century theme regarding sound on this record. Frith is diverse, and it shows with the techniques he uses here as well as the instruments he plays on other projects. Each piece s...
Read more